Showing posts with label sushi. Show all posts
Showing posts with label sushi. Show all posts

Monday, September 1, 2014

Michael Mina, Ken Tominaga on a roll with Pabu

Ken Tominaga has developed a cultlike following for his sushi at Hana, his small restaurant in a Rohnert Park strip mall. Since it opened 24 years ago, it’s been the insider place to go. On any night you might find a half-dozen chefs there, including Michael Mina.

Mina, who has been a fan for more than a decade, wanted to give Tominaga a prominent stage in San Francisco to showcase his work. That partnership became a reality with Pabu, Mina’s newest restaurant, along with the more casual Ramen Bar next door (see the accompanying review).
The Japanese style is a departure for Mina, whose more than two dozen restaurants include RN74, Bourbon Steak and the new Bourbon Steak and Pub in Levi’s Stadium.

It’s also a career-capping move for the Tokyo-raised Tominaga. Pabu, which seats up to 220 as opposed to Hana’s 65, allows him to expand his vision as well as to blend old and new traditions. His wife has taken over the bulk of the duties at Hana, while he divides his time between the properties.
The design of the restaurant capitalizes on the high-rise venue, which includes a dining room, sushi bar, patio, private room and lounge. Soaring ceilings and three-story-high columns create a dramatic setting for the modern lanterns centered over the five-sided bar. The impressive installation is surrounded by burgundy wool banquettes, along with modern sofas and cocktail tables. A see-through partition separates the lounge from the main dining room, which also includes an open kitchen and sushi bar. Wood-framed booths opposite the kitchen mimic tatsumi rooms and help break up what could be a cavernous space. There’s also a glassed-in greenhouse-style patio that overlooks the building’s pedestrian plaza.

Each area seems to create a different mood, but it’s all upscale — relaxed and bustling at the same time. The fact that the restaurant is packed every night shows that if the concept is right, crowds will follow.

Tominaga’s menu is extensive. On any night, the sushi and sashimi selections might include 25 different fish and 20 maki rolls. There are also more than 40 other dishes designed to engage all the senses, whether it’s octopus ($13) bathed in sweet miso with cucumber, slightly chewy giant clams and seaweed, or Monterey squid ($13) marinated in soy, quickly grilled and dusted with togarashi, or red chile pepper, that makes it pop. It’s sliced into rings and served with shoyu kewpie, Japanese mayonnaise sauce.

His omakase menu, at $95, is one of the best deals around. If you want to see the kitchen at its best, this is the way to go. The preparations don’t have the subtlety or precision of what’s served at nearby Kusakabe, but the combinations are unique.

More Information

Overall: 3 STARS
Pabu
Food: 3 STARS
Service: 3 STARS
Atmosphere: 3 STARS
Prices: $$$$
Noise rating: BOMB
101 California St. (at Front Street) San Francisco.
(415) 668-7228.
www.pabuizakaya.com.

Lunch 11 a.m.-2 p.m. Monday-Friday. Dinner 5:30-10 p.m. Sunday-Thursday, until 10:30 p.m. Friday-Saturday.

Full bar. Reservations and credit cards accepted. 3% S.F. surcharge. Difficult street parking; paid lots nearby. Valet $10.

Those include Ken’s Roll ($20). Each of eight pieces is domed with a slice of spicy tuna centered with a pine nut and a sprinkling of furikake, a seasoning made with dried fish. The molded rice below encloses a thin sheet of nori, crab tempura and avocado; the roll is flanked by a ball of wasabi and a mound of pickled ginger, all on a puddle of eel sauce. It’s truly an over-the-top combination.
The tasting menu kicks off with an equally explosive combination called the Happy Spoon, stacked with Kusshi oyster, uni, tobiko and ponzu creme fraiche. Next are two slices of kampachi arranged on a shallow pool of yuzu ponzu and topped with tobiko, pine nuts and fried shallots.

The sushi courses progress from lighter to more robust, which makes for some interesting comparisons. It almost goes without saying that the fish is expertly cut, marinated and seasoned to bring out its best qualities before being draped over a modest pad of rice where the grains are tender but remain distinctive.

The first sushi course, called Geta, features sea bream, sea robin, scorpion fish and fluke fin, which is lightly seared and seasoned with sudachi, a pungent citrus fruit that stands in for vinegar. The Dari presentation includes three kinds of mackerel — horse, Spanish and Japanese — along with young gizzard shad that only needs a little soy to bring it around.

Variations of tuna come next: bluefin, big eye and two fatty bluefin cut from different parts of the fish. The sommelier paired it with Take No Tsuya Junmai sake, and then brought out a bottle of water from the underground springs on the producer’s estate in Honshu used to make the sake. It was a revelation to taste the water’s purity and delicacy.

Up next are more assertively textured and flavored offerings: surf clam, snow crab, geoduck and sea urchin boosted by salmon roe. This leads to shabu shabu — slices of Wagyu beef designed to be quickly cooked in kombu broth with chunks of tofu, mushrooms and onions. This course was paired with warm Honjozo sake that has a rich mineral quality to stand up to the intensely flavored beef.
The dinner concludes with cherry sorbet served next to chunked slices of nectarines and cherries, with sparkling sake fizzing around it.

The wine pairings ($50), which I highly recommend, include a flute of Iron Horse Cuvee Michael Mina sparkling wine. The rest of the selections come from the extensive sake selection. Explanations are provided on the menu, and the sommeliers on the floor can talk extensively about each one.
If diners want to venture away from sushi on the a la carte menu, offerings include fried chicken ($11) with a thin golden coating. It’s served with spicy mayonnaise that helps to bring it alive, but a more generous hand in seasoning the meat would have improved it a bit. There’s also excellent tempura, especially the maitake mushrooms ($13).

The menu also features nine skewers, including chicken thigh with scallions ($7); tender chicken meatballs ($6) with an egg yolk and togarashi for dipping; and chunks of chicken breast ($7) with shisho and umeboshi. The chef’s skewer tasting ($26) might include beef tongue, skirt steak and pork belly.

Other hot small plates worth considering: sake steamed clams ($12); chawan mushi ($15) with shrimp, scallops, shiitakes and salmon roe; and pork gyoza ($12) with the filling barely visible within a very thin leathery/tender wrapping.

Shabu shabu can also be made with hamachi snow crab and scallops ($42); American Wagyu ($38 for 3 ounces) or Japanese A5 Wagyu ($32 per ounce).

Larger plates include a crisp flounder ($24), where the double-fried carcass serves as a basket to hold the fried fish fillets and tempura-battered shishito. The basket’s golden bones have a potato chip-like crunch so diners can break off pieces and eat them. Other choices include black cod ($32) assertively flavored with miso and mustard seeds, accompanied by summer beans; and duck ($32) with glazed plums and mountain yam dumplings.

Dessert includes a fine-crumbed sake roll cake ($8) wrapped around yuzu curd, with strawberries and coconut; soy caramel custard topped with sesame candy and cubes of coffee jelly; and green tea/white chocolate pudding ($8) with plum and sake jam. The best is the simplest: cherry sorbet ($6), a light, vibrant way to end the meal.

From start to finish, the preparations follow tradition, but with enough departure points to please the widest variety of diners. Even someone like Willie Brown, who says he doesn’t eat raw fish, can find something to love at Pabu.


Monday, August 4, 2014

Kusakabe review: a true omakase menu

Sitting in Kusakabe at the light polished wood sushi counter, cut from a single tree, with a delicate glass pitcher of sake, a small hand towel in a black saucer and the fifth of 11 courses, the thought emerges: This style of refined dining could also be a boon for fixed-price Western restaurants.

The people who say they wouldn't go to the French Laundry, Benu or Saison because of the precious parade of courses, the formal atmosphere and the extended length of time at the table are some of the same people sitting at the sushi counter eating one bite of delicate sushi after another, as one hour slips into the next.
It's hard not to be captivated by the skill of chef-owner Mitsunori Kusakabe. There are no decisions to be made as diners sit back, relax and are taken on a culinary journey that costs $95 for 11 dishes, mostly sushi but with a soup course and another hot dish.
Dinner begins with a briny broth of kelp tea designed to decompress the 17 patrons at the sushi bar and the 12 who are seated at tables. The waiter also brings a damp black finger towel so diners can wipe their fingers after picking up the sushi with their hands - the way suggested by the waiter, who is as calming as the tea.
Kusakabe defines his menu as omakase sushi, kaiseki style, referring to two distinct types of dining. Kaiseki is a set menu, precisely designed and served. A true omakase menu is based on individual diners' preferences gleaned from their ongoing relationship with the chef. It's a menu built on trust.
Yet in a broader sense the term is accurate here because the chef creates the menu; it's somewhat standardized, but on each of my three visits he made adjustments. Every ingredient is sliced, chopped, drizzled and squeezed to order.
For the first course, the chef places a piece of bluefin tuna, dark from its soy sauce cure, on a small pad of rice. He briefly torches half the flesh to caramelize it, intensify the flavor and firm up the texture - an artful contrast in a single bite.
Next comes a piece of halibut sliced to order, with shallow slits in the flesh to help diffuse the flavorings. The chef adds a dab of its liver gently scooped from a tiny tin, places it on the center of the white flesh, dribbles on a soy-like sauce and tops it with delicate ribbons of shiso. Next up is bonito with a small mound of pickled daikon and rings of scallions.
The sashimi - slices of amber jack and halibut because I am allergic to the scallops that would normally be part of the mix - is arranged on a mound of what looks like snow cone ice accompanied by a soy dipping sauce and a chunky blend of yuzu and onions.
Miso soup offered a warm change of pace, an intense broth with two tender duck meatballs, mitsuba (Japanese parsley) and a hint of sansho peppers. On other visits the soup featured summer truffles floating among the ribbons of herbs, with eringi and shimeji mushrooms visible just below the surface. The flavors are at once strong and subtle.
Next comes what's labeled unique sushi, although everything that came before could be described the same way. In this case, "unique" meant Tasmanian trout cured in kombu on two squares of rice flavored with cilantro and sesame seed. It was finished with sesame miso to bring all the flavors together.
On subsequent visits, the chef served a rice flour cracker that resembled a small pottery bowl shaped like a flower. It's so shiny and well formed that the chef had to tell me to pick it up and eat the entire thing, because I had started to use chopsticks to pick up the rice and barbecued eel on top.

Next is the second warm dish, which was the same on all three visits - two finger-size pieces of crab on tofu, caked in crispy rice and garnished with a slice of key lime so thin it looked like parchment. The waiter then pours on Hokkaido kombu dashi broth. It's yet another example of the tension between bold, subtle, crisp, creamy, warm and cool - the dish touches all those notes. This type of juxtaposition describes many of Kusakabe's dishes.
The next two bites, labeled "sushi chic," included striped bass with a sprinkling of sea salt, gratings of Meyer lemon peel and a few drops of juice. In between each course the chef wipes off the black lacquer rectangles on the shelf above the counter in front of each diner, and replenishes the small bowls of pickled ginger.
For her part, the server is always subtly looking over diners' shoulders, answering questions and helping them to decide what to order from 16 sakes, 16 wines or five beers.
The sake is available in a 3-ounce glass, 6-ounce carafe or by the bottle. Each round is served in different containers - crystal cubes, thick earthen pottery, translucent green cups and long-stemmed wineglasses for the more expensive Daiginjo ($15-$30 for a 3-ounce pour).

Light to heavy

The meal continues to progress from lighter to heavier preparations. Next is what turns out to be the most intriguing dish of all - Copper River salmon with just a sprig of microgreens on top. I could have sworn there was a brush of maple syrup because it was so sweet, but we were simply tasting the natural essence of the fish. In just about every case, the fish is served at the perfect stage for sushi.

To finish, there's a choice: a slice of A5 Wagyu or toro - a lush, fatty piece of fish - on a pad of rice and topped with a small knob of wasabi.

That's the end of the tasting menu. From there, diners can order from 20 a la carte sushi or sashimi items or, if you have an appetite like mine, you might want to try the expertly prepared Santa Barbara sea urchin ($8.50 per piece), Hokkaido uni ($14) or barbecued white eel ($14). Then there's whiting cured with kombu and bonito flakes ($8.50), cherrywood-smoked bonito ($8.50) and five maki rolls, including one with braised Japanese squash ($7.50).
Desserts are also extra: mild green tea creme brulee ($6) and a refreshing yuzu and shiso ice ($4.50) topped with a green tea cookie in the shape of a K.

By the time you get to that point you feel as satisfied and refreshed as if you've had a relaxing massage and rest.
On my last visit, as I was paying the bill, the gracious waiter leaned over and whispered that if I let them know next time, they would do preparations differently from the printed menu. Finally I discovered what a true omakase menu might mean.



Kusakabe


Food: Rating: THREE AND A HALF STARS
Service: Rating: THREE STARS
Atmosphere: Rating: THREE STARS
Prices: $$$$
Noise rating: Noise Rating: ONE BELL
584 Washington St. (at Montgomery), San Francisco
(415) 757-0155. www.kusakabe-sf.com
Dinner Tuesday-Sunday, 5 p.m to last seating at 8:30 p.m. Beer, wine and sake. Reservations and credit cards accepted. Difficult street parking.

 
Michael Bauer is The San Francisco Chronicle restaurant critic. Find his blog at http://insidescoopsf.sfgate.com and his reviews on www.sfgate.com. E-mail: mbauer@sfchronicle.com Twitter:@michaelbauer1

RATINGS KEY

FOUR STARS = Extraordinary; THREE STARS = Excellent; TWO STARS = Good; ONE STAR = Fair; NO STARS = Poor

$ = Inexpensive: entrees $10 and under; $$ = Moderate: $11-$17; $$$ = Expensive: $18-$24; $$$$ = Very Expensive: more than $25

ONE BELL = Pleasantly quiet (less than 65 decibels); TWO BELLS = Can talk easily (65-70); THREE BELLS = Talking normally gets difficult (70-75); FOUR BELLS = Can talk only in raised voices (75-80); BOMB = Too noisy for normal conversation (80+)

Prices are based on main courses. When entrees fall between these categories, the prices of appetizers help determine the dollar ratings. Chronicle critics make every attempt to remain anonymous. All meals are paid for by The Chronicle. Star ratings are based on a minimum of three visits. Ratings are updated continually based on at least one revisit.

Reviewers: Michael Bauer (M.B.), Nicholas Boer (N.B.), Mandy Erickson (M.E.), Amanda Gold (A.G.), Janny Hu (J.H.), Allen Matthews (A.M.) and Carey Sweet (C.S.)